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It may take many
words to describe BRAVE COMBO, but in some ways the name
says it all: It is a band that is not afraid to take musical
chances. Since 1979 when they first surfaced in Denton, Texas,
a nuclear polka band in the midst of rock's new wave, BRAVE
COMBO has broken stylistic barriers like no one else. Their
specialty is a unique blend of domestic and exotic dance rhythms
that propel what Billboard calls "world-wise, unclassifiable
music." Recent recorded experiments of the band have included
explorations of Latin American and Japanese pop music, and, as
Rolling Stone reported of their release A Night on
Earth, "the elements... are interpreted through the
high energy filter of rock dynamics." Their success at playing
what founder CARL FINCH calls "a barrage of incongruous
elements" comes from their sincerity, musicianship, and
the belief that music should be fun and life supporting.
"If BRAVE
COMBO can do one thing," says FINCH, " we'd
like to break down people's preconceptions about what's cool
to like in music. Music is vital to our life on earth and we
ignore that vitality when we let it fall into some kind of fashion
statement. We like to play certain styles that people may not
think they like, and then have them go away thinking that polka,
or whatever, is actually pretty cool." That's one reason
the Chicago Tribune dubs them "a party band with
a purpose."
BRAVE COMBO has expanded in the last
couple of years into a five-man miniature orchestra. FINCH
- who sings and plays guitar, accordion, and keyboards - and
his longtime partners CENOBIO XAVIER (BUBBA) HERNANDEZ, III
on Bass and vocals, and JEFFREY BARNES on reeds, flute,
harmonica, and too many instruments and noise makers to list
here, have been augmented by trumpeter DANNY O'BRIEN,
and drummer ALAN EMERT.
BRAVE COMBO's 20-year musical career
has included many unique accomplishments: over a dozen critically-acclaimed
recordings in the U.S. and even more in Japan, where they have
toured three times; four trips to Europe, including appearances
at the Printemps de Bourges and Steirischer Herbst festivals;
music provided for David Byrne's film True Stories, Fox
network's comedy Bakersfield P.D., and the 1994 Olympic
Performance of U.S. ice dancers Elizabeth Punsalan and Jerod
Swallow; winning the Downbeat critic's Poll for "Talent
Deserving Wider Recognition" in the Pop/Rock category three
years in a row; a 1996 Grammy nomination for their album
Polkas for a Gloomy World and a 1999 Grammy nomination
for their album Polka Party with Brave Combo - Live and Wild;
frequent appearances on NPR/PBS shows such as Lonesome Pine
Special, Fresh Air, All Things Considered, and Prairie
Home Companion, who's host Garrison Keillor refers to them
as "entertainers who just won't take no for an answer";
and a performing career that finds them playing rock clubs, state
fairs, polka festivals, concert halls, college mixers,
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 Brave Combo: Jeffrey Barnes - clarinet, saxophones,
Casio electronic horn, harmonica, vocals / Joseph Cripps - drums
and percussion (including lagerphone and boombas), vocals / Alan
Emert - drums / Carl Finch - guitar, keyboards, accordion, vocals
/ Bubba Hernandez - bass, vocals / Danny O'Brien - trumpet, flugelhorn
parades ( including Macy's
Thanksgiving Day Parade, marching underneath Woody Woodpecker
), mental institutions ( their first tour ), and even, of course,
weddings ( including David Byrne's ) -- all to the delight of
audiences who can't help but dance to their infectious rhythms.
The ethnic sources
of BRAVE COMBO's rhythms and styles span the globe. They
come from virtually every continent but Antarctica and include
polkas, waltzes, schottisches, mambos, conjuncto, zydeco, the
twist, acid rock, bubblegum, and even muzak (to name many but
not all).
But behind such
"fearsome expertise in ethnic sounds" ( New Music
Express ) lies a serious purpose, even if "peace through
polka"sounds a little corny. "I do think the acceptance
of polka and other rhythms can help bring about world peace.
If the people of the world can start dancing together, they can
learn to respect each other's cultures too," explains FINCH.
"That kind of understanding will give us all a better chance
to survive."
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